110 x 45 x 40 cms, paper-clay, polyurethane,acrylic and resin, 2023
This piece is centered on the source of strength and power, rooted in the experiences and physiology of my womanhood. It explores our ability to connect with a universal force that binds us all. Specifically, the sacral and root energy centers—located below the navel—represent creativity, power, control, family, social belonging, safety, security, grounding, connection, and collective consciousness.
The Significance of Color in the Work:
The colors in this piece were inspired by the Sarracenia Purpurea, or purple pitcher plant, a carnivorous species I began studying while developing my earlier work, Garden of Souvenirs. I am captivated by these plants’ ability to thrive in environments with poor soil or lacking nutrients, which serves as a powerful metaphor for our current social climate. For me, the survival characteristics of these plants reflect the creative attributes of my womanhood, which include rebirth, renewal, and resilience.
Magenta, a central color in this work, symbolizes change and transformation. It helps release old emotional patterns that inhibit personal and spiritual growth, facilitating forward movement. White, on the other hand, represents the potential to create anything the mind can envision. It serves as a reflective color, awakening openness, growth, and creativity.
The Significance of the Feet/Soles:
The feet, typically an instrument of support and propulsion, are depicted here in a state of pause—resting, grounding, and connecting. This stillness emphasizes the importance of taking time to reconnect with oneself and the earth.
Construction of the Work:
I work with a variety of materials to create my sculptures, each of which undergoes a series of spontaneous and physical transformations before it fully cures. The challenge of controlling these materials (sometimes within a short timeframe) mirrors life’s unpredictable nature. The process often leads to unexpected yet beautiful results, much like our journey through life.


